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THE GRAND DESIGN
TRIBUTARIES: REFLECTIONS OF AIKO SUZUKI
A MOVIE A DAY (365 Movies)
I HAVE NO MEMORY OF MY DIRECTION
SLIGHTSEER
THE BASEMENT GIRL
SKIN DEEP
- 1996, GLQ Vol. 3, “Where the Girls Are: Riding the new wave of lesbian feature films”
- December 1995, XTRA #290, “And so on…”
- October 1995, Kenesis Feminist Publication, “Beyond scratching the surface of engendered bodies”
- September 1995, Playback, “Toronto International Film Festival”
- September 1995, XTRA #283, “Lights, Camera, Diversity”
- September 1995, XTRA #283, “Skin Deep”
- September 1995, Toronto Star, “Stars and Bars and Tattoo You”
- July 1995, The Japan Times, “Japanese-Canadian Filmmaker portrays life ‘at the margins’
- July 1995, Los Angeles Times, “Lesbian Films Among Highlights at ‘Outfest'”
- July 1995, Transsexual Newsletter: San Francisco, “Basic vs. Deep”
- June 1995, Dykespeak, “Well Defined Features”
- May 1995, New York Times Sunday
- February 1995, Variety: The International Entertainment Weekly, “Skin Deep”
- Trash Compactor, “Psychotic Reaction”
- July 1994, Sight & Sound, “Goings and Comings”
- The New York Lesbian and Gay Film Festival, 9th London Lesbian and Gay Film Festival
THE DISPLACED VIEW
- February 1993, Nikkei Voice, “Three cranes in flight”
- December 1990, Nikkei Voice, “Asian Canadian art exhibition challenges JC viewer”
- November 1990, Between the Lines Vol. 2 #15, “A Recovery Process”
- November 1990, Surface, “…Words from a Sansei.”
- November 1990, “Tales from hidden places within a shared culture”
- October 1990, The Queen’s Journal, “Black and White in Colour: A view of past displacement”
- Spring 1990, FUSE Magazine, “The Displaced View, Two Lies & Family Gathering”
- 1990, The New Canadian, “Toronto film-maker’s work breaks silence on internment of JCs”
- December 1989, Toronto Star, “Film breaks silence on Japanese Internment”
- November 1989, Library Journal, “Video Review: The Displaced View”
- November 1989, Montreal Mirror, “Margins of Memory”
- May 1989, Now Magazine, “Film and Video Images 89”
- November 1988, NOW Magazine Vol. 8 #12, “The Displaced View, review”
- October 1988, RITES Vol. 5 #5, “The Displaced View”
- September 1988, NOW Magazine Vol. 8 #1, “Russell’s wacko world”
- September 1988, Metropolis v1 #17, “Perspective Canada, Previews of the Short Films”
- July 1988, Alberta Film & Literary Arts Bulletin Vol. 17 #4, “The Displaced View”
- July 1988, XTRA #104, “Two hot nights in July”
- 1988, Angles Vol. 5 #5, “The Displaced View, Midi Onodera talks with Laiwan”
- Winter 1987, Fireweed Magazine, “The Luck of Daruma (Interview)”
THEN/NOW
TEN CENTS A DANCE (PARALLAX)
- October 1993, EYE Magazine, “Indecent exposure”
- November 1992, XTRA Magazine, “Loquacious Lesbians: Gwen Bartleman discusses the ‘Big Talk’ Phenomenon”
- November 1992, NOW Magazine, “Retrospective of Canadian shorts week’s best”
- November 1989, Montreal Mirror, “Margins of Memory”
- September 1986, Cinema Canada #133, “Quantity not quality”
- August 1986, Coming Up Vol. 7 #11, “Ten Cents a Dance (Parallax)”
MADE IN JAPAN
ADDITIONAL PRESS
- March 2002, Jade Magazine, “Keeping it Real at the Reel Asian Film Festval”
- Spring 1995, Cinemateque, Asian Heritage Month, “Defying Categories: Spotlight on Midi Onodera
- September 1993, Toronto Star, “From the Bard-room to the tattoo parlor”
- August 1993, The Globe and Mail, “Stock Market Proves Attractive”
- March 1991, Nikkei Voice, “Onodera shows comic flair with ‘Heartbreak Hoteru'”
- “CBC TV dramaHeartbreak Hoteru needs “Elvis””
- Spring 1990, FUSE Magazine, “Speaking of Colour”
- April 1986, Vanguard, “Midi Onodera – The Funnel”
- Broadside Vol 6 #9 – on super 8 films by Midi Onodera
